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Wednesday, October 13, 2010

A Cider Pressing Party

Last Sunday, we participated in a truly lovely fall tradition -- a cider pressing party hosted by family friends  in Willow. It was a glorious day - brilliant blue skies, sunny, and that unique autumn mix of warm and brisk. 

The party was fun, yummy, and wonderfully photogenic. It was also perfectly suited to our little Will since it featured both apples AND tractors, two of his current passions. You'll see that he's holding either one or two apples in every picture. And we left with a gallon of fresh cider which is DELICIOUS!

They say a picture is worth a thousand words, so here goes. I've also included a few great recipes that feature apple cider after the photos if you feel inspired.

A basket of apples, bound for the press
Basket of apples bound for the press by Eve Fox, Garden of Eating blog, copyright 2010

Will weighs his options
Will selecting apples to eat by Eve Fox, Garden of Eating blog, copyright 2010

Vintage Ford tractor used to haul a wagon-load of apples up to the press
Vintage Ford tractor pulls wagon of apples up to the press by Eve Fox, Garden of Eating blog, copyright 2010

A picturesque wagon-load of apples calmly await their fate
A wagonload of apples from a neighbor by Eve Fox, Garden of Eating blog, copyright 2010

Two girls filling a bucket with apples to press
Two girls filling buckets with apples from the wagon by Eve Fox, Garden of Eating blog, copyright 2010

The apples get a bath before pressing
Pouring apples into a bucket of water before pressing by Eve Fox, Garden of Eating blog, copyright 2010

Will's new friend, Jasper, puts all four teeth to work
Jasper puts his four teeth to work on an apple by Eve Fox, Garden of Eating blog, copyright 2010

Gears whirring above the mash bucket
Gears and mash bucket by Eve Fox, Garden of Eating blog, copyright 2010

Feeding apples to the hungry American Cider Mill
American Cider Mill press and operators by Eve Fox, Garden of Eating blog, copyright 2010

Our wonderful hostess, Oona in front of classic American apples poster
Oona, our gracious hostess by Eve Fox, Garden of Eating blog, copyright 2010

A line of bottles & jugs snake up to the press, waiting to be filled
Empty jugs lined up for filling in front of the press by Eve Fox, Garden of Eating blog, copyright 2010

Cranking down the press
Cranking the press by Eve Fox, Garden of Eating blog, copyright 2010

Will walking around a tree, holding a "bib" apple and a "lille" apple
Will with a big apple and a little apple by Eve Fox, Garden of Eating blog, copyright 2010

Cider, fresh off the press!
Cider, fresh off the presses! by Eve Fox, Garden of Eating blog, copyright 2010

Apple mash from the pressing headed for the compost pile
Apple mash leftover from pressing by Eve Fox, Garden of Eating blog, copyright 2010

Apple Cider Recipes
And here are a few other tasty-sounding recipes from other blogs and sites that have caught my eye.
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What do you do when the Schau is over? Travels in Mitteleuropa part 3.

What do you do when the Schau is over? Travels in Mitteleuropa part 3.

     What happens when the last Stein has been drunk, the last leaflet on bio-dynamic slug control handed out and the last Tagetes wilts in autumn's first frost?        
     Gardenshows are a big part of the German garden scene, lasting all summer and (key thing this) leaving behind the legacy of a regenerated urban space. Many of the best parks are former Gartenschau sites. We tried it in Britain during the Thatcherreich but no attempt was ever made to keep them as public spaces, and in the sad case of Liverpool, the show site is now quite well-known for its grafitti daubed ruined Chinese garden.
What do you do when the Schau is over? Travels in Mitteleuropa part 3.
Playground - durability all right! Had to stop myself running up it.

What do you do when the Schau is over? Travels in Mitteleuropa part 3.

What do you do when the Schau is over? Travels in Mitteleuropa part 3.
            How you turn a one-summer event into something permanent is a challenge, one which has apparently been met pretty well here. Of course I tend to visit the successful ones, but I have seen places with  artworks that look like beached whales, avenues which go nowhere, and perennial borders run amok. A couple of days ago I dropped in on a 2004 Bavaria State show at Burghausen. On the whole a successful transformation, 8 out of 10, I think Herr  (or Frau) Burgermeister. One series of perennial borders pretty well abandoned – why not just replace with ground cover? and some strange objects which could only be artworks, but a fantastic children’s playground – the kind of really inventive place which can be one of the best features of these events, overall a good urban green space, and a whole series of little gardens between beech hedges – nice intimate spaces (assuming the good folk of Burghausen don’t go in for too much spliff-rolling or needle-based activities, which is always a problem if you create too much quiet space in urban parks). These were all designed by design practices, a bit like Chelsea Flower Show gardens, but permanent. Some looked really good, the others … well, I am sure the designers would be horrified if they could see their names attached. There is always a real problem with these individual gardens in places where they become permanent and get maintained by the same staff – they all sink to a common level. On the whole though they make for garden vignettes you would never get normally in a public park.
What do you do when the Schau is over? Travels in Mitteleuropa part 3.
Panicum virgatum grass with Aster dumosus at Weihenstephan
            Quick visit to Weihenstephan, home to the world’s leading collection of perennials, meet the new prof. of planting design, Swantje Duthweiler, whose interest in early 20th century planting styles heralds the prospect of some interesting new takes on plant use (watch this space?).
            Now in Switzerland where I have spent a fascinating day at Hochschule Wädenswil, a teaching and research centre in canton Zürich. They have done a lot of work on perennial mixtures – randomized combinations of plants for particular visual effects or management techniques, sometimes just perennials, but sometimes including bulbs and annuals too. Some very high tech means of teaching plant ID too – you use an iPhone app. to zap a code on a pillar and your phone downloads a plant list, plant information and other stuff about the planting; meanwhile some nicely designed little leaflets give you plants lists too.
What do you do when the Schau is over? Travels in Mitteleuropa part 3.
Most stunning of all though are the vertical gardens they are working on for indoor environments, including some wonderful ‘plant pictures’, exploiting the fact that a lot of tropicals perform well when growing vertically.
            A lot of fruit growing happens at Wädenswil too – it has a mild climate, being on Lake Zürich; some fascinating unusual fruit here too. Actinidia arguta makes tiny sweet little Kiwi fruit – much nicer than the normal kind, and I never realised you can eat Schisandra chinensis berries – although to be honest the flavour made me think of what it would be like if you bit into a chunk of incense – a challenge for the truly innovative cook perhaps.
            Odd how in the German- speaking world, it is public horticulture  which is where innovation happens, and private gardens are relatively unsophisticated - mirror image of back home. Our nearly all having private gardens (in the UK) has meant, sadly, a lack of political pressure for quality public space. But given the very different agendas of private and public gardening, there is so much scope for cross-fertilisation of ideas.

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Thursday, October 7, 2010

Travels in Mitteleuropa 2


TRAVELS IN MITTELEUROPA 2




Travels in Mitteleuropa 2
Jo and I try out the exercise machines on Bratislava's new Danube river promade - a real boost for the way you can enjoy the city and the river.


The perennial revolution marches on! The Czechs and Slovaks are now doing research into public use of perennials, very much inspired by the German randomised mixing technique. Extremely interesting afternoon at the Landscape Dept. of the Slovak University of Agriculture in Nitra. Jo worked at Bratislava Comenius Univ. from 1993-5, so we now all about alcoholic Stalinist heads of department, reinforced concrete buildings , dead hand of Marxism-Leninism exams etc, etc. So delighted to find lovely new building,  ditto perennial border, ditto prof, and young staff well clued up on all the German research, on Oudolf, and ‘the Sheffield school’. On the subject of profs. a sure sign of age is when the professors start to be younger than you are.

Reading Prof. Hallova’s research I realise that she’d brought up an issue none of the rest of us have ever considered – that plants engage in chemical warfare through ‘allelopathy’ amongst themselves and that this impacts on planting combinations, so for eg. nepeta and euphorbia suppress the growth of asters and geraniums. I immediately think of all the Euphorbia cyparissias I let rampage in my borders. Fascinating! I think I should set up some trials back home this winter and really see if it is an impact we should really worry about in a practical sense. 

Travels in Mitteleuropa 2
Perennial beds in every town I drove through! Plus trusty Renault Kangoo
Given that it's a long time since I’ve driven round Austrian roundabouts it is just amazing to see how much perennials (in the 40-60cms height range) are used in traffic islands and roadside environments. Really just about every place I have driven through in Oberösterreich seems to. Wunderbar!

A misty, soggy, chilly stomp around some dry meadow habitat near Mikulov in Czechia, Scabiosa ochroleuca and Aster linosyris flowering away in profusion. Sabine Plenk (a colleague from Vienna’s BOKU) and I agreed it was a ‘second spring’ effect as autumn rains re-moisten very thin stony soils. Nice to see the local flora (Pannonian-Pontic) used in the grounds of the castle in town in an ornamental way. Not so sure about the monstrous Christmas tree in the town square and all the artificial snow – but it turned out to be a film set. Made me freeze just looking at it.
Travels in Mitteleuropa 2
Dialectic of locally native dry meadow plants with box parteer at Mikulov Castle, CZ.

Travels in Mitteleuropa 2More soggy foggy in Austria, can’t see the mountains! Furchtbar! Schade! Garden visiting in Austria is looking up. There is a new guidebook, published by Callwey Verlag and based on the very thorough Gärten for Germany. Lots of really rather nice sounding Privatgarten open too – how soon can I get back to check them all out? Only managed Linz Bot. Gdn. (good, some nice mature rarely-seen shrubs) and Christian Kreß’s nursery – Saravasto – at Ort-in-Innkreis. FAB, FAB, FAB. If this nursery were outside Guildford, you’d be blown away by it. Its not just plants, its really funky architectural salvage, kinky walls, alpines grown in all sorts of weird rubble. Its Berlin grunge meets Alpine Garden Society. Its cool. Ain’t nothing like it back home.

Travels in Mitteleuropa 2Travels in Mitteleuropa 2Forget the Sleazyjet flight to ‘Vienna’ (in reality Bratislava). Get the car out – the GB sticker, the green card, the ferry/chunnel  ticket, the headlight deflectors, and thrash down the autobahns (yes, you really can drive as fast as you like) and load the car up with plants. There’ll be loads here you’ve never seen before. And while you about it you can load up with Austrian wine, all of it totally gluggable and varieties like Grüner Veltliner you never find amongst the Chard and SauviBlank in Sainsbury’s, and the time spent on the autobahn will feel like its worth it. I did one better, stocked up with Slovak wine at the Nitra Tesco – just as good and miles cheaper. Stuff the Dordogne, up the Danube!
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Tuesday, October 5, 2010

Kingston, NY Farmer's Market

Hello again. Sorry for the long silence on my part. We spent July and August settling into our new home. And then, at the end of August, my dear dad, Joel, passed away totally unexpectedly at the age of just 66. Here's a photo of the two of us at Rahm's and my wedding - one of the happiest days of my life. I'm so glad he was there to share it with me.

Kingston, NY Farmer
As you can imagine, life has gotten even busier and a whole lot more sad. I'm still trying to wrap my mind and heart around the idea that he is gone - it's pretty hard to fathom. I have not had much time to cook in the past few weeks, nor much of an appetite, so even if there had been time to blog, there would have been nothing to write about!

But as the shock of my dad's death begins to fade a little, I find that I am regaining some of my appetite for life (and food.) We're having Indian summer right now - the sky is a clear blue, the leaves are turning yellow, orange and red, and the weather is surprisingly warm. Yesterday morning, Rahm and I decided it would be a good day to stroll around the lovely Saturday farmers market in Kingston, NY's historic stockade district with our little Will. And I remembered to bring the camera.

Below is a slideshow of some of the photos I took of the fall bounty. Enjoy. And I hope to write more soon.
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Mmmmmm...pesto

Thank you, basil, for not protesting my neglect now that I've been back to work for a few weeks. And thank you for sacrificing a few leaves for the sake of yummy pesto. I couldn't have done it without you.

Sometime soon I'd like to grind up some garlic and basil to freeze over the winter. (Then you just add the pine nuts, cheese, and olive oil when you're ready.) But the whole process always seems to take so long that I didn't do that today. It shouldn't take long, but it always does.

Why did it take me over an hour today to make some simple pesto? I started accounting for my time, and it started to make a lot more sense:

Stopping by to pull random weeds- 20 minutes.
Admiring butterflies- 10 minutes
Surveying vegetable garden and cursing groundhog- 5 minutes
Struggling to remember how to assemble the food processor- 10 minutes
Clearing breakfast dishes out of sink to make room for washing basil- 5 minutes
Cleaning up the pots and pans toddler has strewn across the floor - 10 minutes
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Monarch caterpillars

Monarch caterpillars
I was surprised and delighted to see what looked like Monarch caterpillars munching away on the butterfly weed this afternoon. At first I was confused since I thought they only dined on milkweed. Then I looked it up and found out butterfly weed is Asclepias tuberosa. Once again paying attention to that pesky Latin can come in handy, since its Latin name clearly shows it's in the milkweed family. Doh!


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I don't usually do this kind of thing

I don

I don't usually do this kind of thing – summer bedding that is, but with some empty beds in front of my office building I thought I'd give it a go. Specifically I wanted to do something with a Mexican theme; having made a couple of visits to the country over the last few years I wanted to play with some colours I'd got to particularly associate with the place, in particular a very strong carmine pink which you see a lot, in fact my Mexican friend, Dr. Cruz Garcia Albarado, describes it as the national colour. We wouldn't dream of combining it with yellow, but the Mexicans love to.

So, with a backdrop of corn (a sweet corn variety) and amaranthus, two of the crops which fed Aztec and other Mesoamerican civilizations, I splurged out with some outrageously colourful flowers, all bred by the Aztecs (dahlia, tagetes, tithonia, zinnia), or of Mexican origin, nicotiana and bidens. Mostly started off in plugs sown March or April in the polytunnel and planted out May.

A few lessons for if I ever do it again. One is that it is almost impossible to get hold of a tagetes marigold which isn't ridiculously compact, although my friend Blair Priday saves seed every year of a very loose-growing one which would have been better. Same problem with the tithonia, but that might have been my problem choosing the variety. What happens is that compact plants get swamped by the sprawling bidens and nicotiana, quite apart from the irritating parks department look of compact annuals.

Everyone LOVES the zinnias, they don't seem to be a particularly fashionable flower right now, but the colours are so intense, and brings together that real Mexican pink and yellow.

sweet corn
Amaranthus 'Marvel Bronze
Amaranthus 'Autumn Palette'

Bidens ferulaefolia 'Golden Goddess'
Tithonia rotundifolia 'Fiesta del Sol'
Agastache mexicana 'Sangria'
Tagetes 'Legion of Honour'
Zinnia 'Scabious flower mix'
Nicotiana affinis
and although you can hardly seem them in this pic: Dahlias Dahlia 'Gallery Art Deco', 'Princesse Gracia', Bishop of Auckland, 'La Recoleta', ‘Ellen Huston’.

I don

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Awarding Rewarding Plants


Awarding Rewarding Plants
I got invited to an interesting meeting the other week, a gathering at the Royal Horticultural Society garden at Wisley to take part in a ten-year re-evaluation of the plant trials system. An interesting gathering – felt good to be amongst so many people who just know so much stuff, mostly members of one RHS committee or other, and a few from the nursery trade. I think I was the only one there who didn’t fit into either category. Felt a bit like I’d joined the grown-ups.

 The RHS awards an ‘Award of Garden Merit’ to plants which it deems “outstanding excellence for ordinary garden decoration or use” after subjecting them to a trial – usually at the Wisley garden. The AGM’s credibility tends to decline the further away from Wisley you go – which is perhaps not entirely fair, as a lot of the characteristics for which something gets the AGM are genetically-determined factors, which will show up wherever the plant is hardy enough to survive. Actually, life beyond Planet Surrey is recognised - to answer an obvious question – a hardiness rating is integral to an AGM award.

As part of some research I did earlier in the year (of which more later in a future blog) I did a comparison between the very different RHS and German systems. They are actually very different, with different objectives; there’s more money for trialling in Germany  I think – how else could you trial something in 14 different places (which include Switzerland and Austria), and the German system is not aimed at an award but a grading (3 stars, 2 stars, 1 star, “for collectors” (i.e. second rate plants for nerds) and then a final grading which I understood to be a polite way of “to the compost heap”. I liked the objective set of criteria which was used to judge the plants in Germany, and was rather puzzled by the lack of anything like this for the RHS system. A certain amount of prejudice as well perhaps – visions of RHS committees of blazer-clad old buffers voting in a post-Jolly Good Lunch stupor are, to be honest, rather a thing of the past. The RHS system seems to be entirely relative, but the reports are thorough and are in fact the very best sources of information on garden plants available.

So there we go. Invigorating to be amongst so many experts, and to have our opinions really respected. Let’s see if this  actually very useful system can be fine-tuned and made even more useful.

Pic above by the way is of ‘Uchiki Kuri’, a Japanese winter squash, a group which does not appear yet to have been trialled; bred on Hokkaido and at 150m up in the Welsh borders the only squash worth growing. Its flavour is also really good  - I suspect its dry matter content is higher than any of the others. 21 fruit from 8 plants and more to come.
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Mob rule in Bexhill

It is not often I have to face a baying mob whilst planting. But I did last week in Bexhill – a small and rather town on England’s south coast, one of those middle-middle places between the better known bohemian/down-at-hill Hastings and trendy Brighton. The town’s chief claim to fame is the De La Warr Pavilion, a superb early modernist building; it’s just had a refurb and of course it is now the surrounding landscape, including a section of seaside promenade which is getting some attention from the local council.

There has been local opposition – there probably has been a failure of community consultation (a mixed blessing at the best of time, see below), but you can’t help but feeling that there are a lot of folk here who just dislike any change - Bexhill does not feel like a go-ahead with-it kind of place. The planting in question was right behind the walkway that runs along the top of the beach – right in the teeth of salt-laden winds and spray. I’ve looked at a fair number of coastal gardens over the years, with varying aspects, and got a good feel for the tough wiry sorts of plants which survive, a lot of them Mediterranean sub-shrubs like lavenders and cistus and grasses. And I took advice from Naila Greene, a garden designer in Devon, whose garden is in a very similar location on the south coast – and is a superb mix of intermingled perennials and low-growing shrubs.

The Bexhill locals who gathered on the other side of the Harris fencing where we were setting the plants out maintained that nothing would survive here. I went out to meet “the local residents”; some of them were prepared to engage in a discussion about what would work and what wouldn’t, but one woman got into a total frenzy and started to shout at me about the whole development, with her gang adding in their halfpenny’s worth in the background.  She was just short of abusive. You end up feeling like a scapegoat for everything they don’t like about the new development, which by the way includes play areas, seating, shelters and shower points - scarily trendy stuff - replacing grass, a low wall and strips of annual bedding.

I suspect there could have been more ‘community consultation’. But this does cost a lot of money  to do properly – which means less to spend on the actual development, and you will never satisfy all ‘the community’. Besides which ‘the community’ have a variety of views, and many of these are conservative, unadventurous and driven by prejudice. I think many of us felt sympathy with the well-known garden designer at a Vista evening who declared “f*** the community”. If all landscape designers were led by ‘the community’ we would never get anywhere further than beds of petunias and grass. My own feeling is that it is important to listen to people: their ideas, experiences of the locality and fears, but at the end of the day, a landscape designer has to be allowed to be creative, without which there will be no innovation.
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Mitteleuropa

Mitteleuropa


An invite to lecture at a new garden event in Vienna – Flora Mirabilis. Very stylish, in the way that these things usually are over here. The posters for it are shown above. Wonderfully kitsch-Botticelli,  and rather naughty (look at the guy’s pants). Probably wouldn’t be acceptable in prudish Britain.

Over here – on the mainland. I drove over, a long way, but having the car enables you to be so flexible and you can just throw all your possessions in the back and not worry about squeezing everything into a flight bag; and you can stop at nurseries and buy plants, ditto winemakers and cases of wine etc. I used to do this a lot – drive all the way to central Europe, but haven’t done so for years. Back in the mid to late 1990s it was when I discovered the wonders of what was going on in German and Dutch gardens – crucially Jo was working in Bratislava 1993-1995, just after Slovak independence, and so I got into the habit of driving, which enabled me to visit gardens on the way – and if you take a kind of broad corridor from disembarking at Calais to say Munich, there are just so many stunning examples of horticultural innovation on the way. And so many great historical gardens too – if the sight of perennials and grasses gets a bit much after a while.
Mitteleuropa

I made the first trip in June 1994. This was a month after my mother died, which was kind of symbolic, as she had been a great traveller in Germany and Austria in her youth. It is one of the curses of the human condition  that we burst with questions for our parents when it is too late. There is so much now that I would have liked to ask her. She came over with a bicycle and made several big trips in the 1930s – the last time a month before war was declared in 1939. This was a time when educated Brits were far more likely to spend time in Germany than France; it seems strange now – the Brit summer middle-class rush to their second homes/gîte in France now takes on the appearance of the annual departure of the Gadarene Swine – but most of them come back complaining - about a) too many other Brits and b) the French. Now Germany is just seen as a large car factory with a bit of rather gloomy forested scenery attached.

I have my mother’s diary of her German cycling travels – I have thought about trying to retrace it (although how much I would do on a bike is debatable). Reading it now, I inevitably do so with the knowledge of the horrors that came after, which I think is a real problem in dealing with anything to do with 1930s Germany. On the garden front, Karl Foerster had the sense/decency to go into exile (Sweden), Willy Lange accepted a Nazi medal – do we trash his reputation as a result? Anyway back to my mum’s diary – most of it is actually pretty boring, she wasn’t a very political person and anyway life in ‘interesting times’ goes on much as the same as it always does. She complains a lot about how dirty places are, and how friendly everyone is.
Mitteleuropa

As a kid we often had family holidays in Switzerland, where my mother’s German proved invaluable. Her first trip back to Germany was in 1966? when we did one of those boat cruises down the Rhine. I remember standing in a bomb site in Cologne which just seemed to go on for ever – it must have been a deeply emotional moment for her. Another time we did the Romantishe Straße through all those fairytale towns in Bavaria (now signposted in Japanese by the way), and I remember a lot of her memories came back. I have her photograph albums – which are fascinating to look at, especially when you realise that much of the cityscapes she photographed were bombed into ash in 1944-5. There are a number of photographs missing – just as I’m sure you’d find with many surviving German/Austrian  albums of the time too.

Mitteleuropa
Students at BOKU show off their planting design projects
Since 1994, I think I have been back to Germany almost every year. There is so much to see here in the garden world, but in a kind of mirror image of back home – the interesting things, the innovation, is all in the public sphere: garden shows, urban planting schemes, parks, green roofs. The same is largely true of Austria and Switzerland, which makes events like Flora Mirabilis, aimed at the private gardener, all the more interesting. I hope it succeeds, I’d love to come every year. And those posters – well – maybe these will become the garden equivalent of the Pirelli calendar.

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Saturday, August 28, 2010

Jim Archibald

Jim Archibald




Jim Archibald, who died last week, was one of the 'last of the great plant hunters'. This is what I wrote about him for an obituary to be published in The Daily Telegraph.

    For those of us in the gardening world who enjoy the challenge of growing unusual and rare plants, the annual arrival of a seedlist from Jim and Jenny Archibald was keenly awaited. Unillustrated, and consisting of A4 sheets stapled together, it would inevitably list scores of intriguing plants, mostly offered as seed collected in the wild. Some would be new forms of familiar species, some species of groups we know and are familiar with, but many would be completely unknown. However it was the introduction that many of us would read most keenly. Who would be Jim Archibald’s target this year: a botanist whose opinions on plant naming he disagreed with, the Royal Horticultural Society, Kew Gardens, or someone being holier-than-thou about the ethics of collecting seed in the wild? The introduction was always erudite, well-informed, witty and often very hard-hitting; in the world of gardening, where there is little openly-expressed disagreement they were a true tonic.
    Archibald’s career as a freelance plant hunter and seedsman extraordinaire began, appropriately, with another plant catalogue. That of Jack Drake, a famous grower of perennials and alpines in Aviemore. As a teenager Archibald was a keen gardener, and it was the listing of some plants grown from an expedition to Nepal in 1954 which fired his enthusiasm. His holidays were spent working at Drake’s nursery, and even at university (Edinburgh), where he read English Language and Literature, he continued to grow, and even sell, unusual plants. Early trips to look at plants growing wild and collect seed followed, to Corsica and Morocco.
    Travelling, often in out of the way places, looking for plants was soon established as a lifestyle. He would make light of the process, I remember him telling me once that “seed collecting in the past might have involved intrepid hikes or perilous adventures on donkeys but these days the road system makes it a lot easier, we rarely need to go anywhere more than a few hours from at least a track”. But soon he would talking casually about collecting alpine plants from the “mountains of the Iran/Iraq border region”. Then there is the story, legendary amongst alpine plant enthusiasts, of ‘the van to Van’, when he and Jenny towed a caravan to eastern Turkey, to use as a base for seed collecting.
    The only period Archibald was not spending at least part of the year travelling, it was running a nursery – The Plantsman, near Sherborne in Dorset, from 1967 to 1983. Working in conjunction with Eric Smith, it was the forerunner of the great many small specialist nurseries which make the British gardening scene so vibrant. The Plantsman was famous for its hellebores and hostas, many varieties bred by Smith. Unable to make a success of the nursery as a business, Jim turned to his first love, of travelling.
    Usually accompanied by Jenny, who he had met in the early 1970s, Archibald established an annual cycle of summer and autumn seed collecting, selling the seed in the winter and spring. With a clear focus on alpines and small bulbs, JJA Seeds sold primarily to enthusiastic amateurs, but also to botanic gardens (at least until the restrictions of the Convention on Bio-Diversity made this difficult) and nurseries. Some of his bulb introductions were used by Dutch breeders to produce new varieties for the general public, but it was commercial growers of alpine and rock plants who relied on him for a constant supply of interesting plants; it is reckoned that almost anyone growing such plants today will have some which originated as JJA seed.
    Famed for his memory, Archibald seemed to have an almost photographic memory for the plants he collected, even able to take fellow travellers back to the exact rock where he found a particular plant, many years after he first visited the spot. His favourite hunting grounds for the plants he loved were the mountains of Iran and Turkey; occasional run-ins with military check-points or secret police did little to dent his enthusiasm. In later years he spent more time in the mountains of the western USA, often working alongside the growing number of local botanist-gardeners who were passionate about both seeing their native flora in the wild and growing it.
    Archibald was resolutely not commercial. Many times I tried to persuade him to pay more attention to collecting seed from larger herbaceous plants – apart from anything else they could have been more remunerative, but he stuck to what he loved.
     Many of us also wished that Archibald had taken up journalism. Those seedlist introductions were always worth re-reading – barbs flung (but always politely) at the pomposity of botanists who concealed data (supposedly in the name of conservation), at the effects of political-correctness on horticulture, at the dogmatic application of ill-thought out quasi-legal concepts like the Convention on Bio-diversity or Plant Breeders Rights.
    Archibald’s knowledge and ability to communicate it was recognised by the Alpine Garden Society, who in 2003 gave him their highest award – the Lyttel Trophy, given annually in recognition of a lifetime of achievement in contributions to the growing of alpine plants, their culture and botany. His incredibly wide circle of friends and colleagues in the garden and botanical worlds will remember a man of great intellectual integrity, enormous and infectious enthusiasm, who combined real erudition and learning with an ability to communicate it, and great personal warmth. Eloquent too, one seedlist introduction ended -  “we sell dreams to ourselves and hope to pay for their reality by work and knowledge…what are seeds but dreams in packets?”
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Northwind

Northwind
A little while ago I had my second visit to Northwind Perennials in a year, they are just outside Lake Geneva in Wisconsin. Run by three people who all take different roles in the company, it is Roy Diblik who is known as the plantsman - he was a real pioneer in the containerised production of native perennials.

Colleen Garrigan does some wonderfully artistic or even wacky assemblages of old tools, architectural salvage etc. 
  
NorthwindRoy has developed a sophisticated take on the art of putting together native and non-native perennials - all explained in a neat little book - 'Small Perennial Gardens: The Know Maintenance Approach'.                                                                                                                                                                        The pun is based on the fact that what so many (American) gardeners seem to want is NO maintenance, but Roy is keen to stress that if you KNOW your plants then you can reduce maintenance - and this is key, without smothering the ground with wood chip mulch.               
Northwind

The plant combinations are very much about creating a complete canopy so grasses shoehorn in between flowering forbs like liatris and echinacea and sprawly (but not actualy spreading) low things like calaminthas can fill in the gaps. The display gardens around the nursery are very accomplished with a good 'field' type effect, and nicely integrated with shrubs and small trees.

Now - the wood chip. A good example of how a 'good thing' becomes a 'bad thing'. Not so long ago mulch was seen as solving  a lot problems - like reducing moisture loss and smothering weeds, but of course like all good things (chocolate cake, beer etc.) can be overdone. Wood chip has become one of Roy's pet hates, and I can see why - a lot of folk around Chicago seem to think that wood chip is an end in itself, any plants standing out looking rather lonesome. The stuff is dumped on every year, so not surprisingly plants underneath can be completly buried, and in the hot humid summers, all sort of diseases get going. What's more, a lot of the wood chip gets shipped up from Georgia, so the transport miles are pretty crazy.




Northwind
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Saturday, August 14, 2010

More butterflies!

More butterflies!
I've gone camera-crazy again this summer a few times, taking lots of pictures of the butterflies that frequent the lantana (Miss Huff). I liked this picture since it's a little different to see the "underbelly" of a butterfly.

[OK, plant disclaimer, lantana could be invasive in your state and doesn't look that great in winter. But if you plant it responsibly, it's great. In fact you might already be in love with it. A drought tolerant butterfly magnet!]
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And the Winner is...

Thanks to all that entered the giveaway contest last month! The winning entry was from Mya, who has already received and posted a picture of her prize package.
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Great prairies.............but stick to the smoothies

Great prairies.............but stick to the smoothies
All pictures are of Shoe Factory Road prairie, near Elgin, IL. A dry to mesic site.

When Europeans go to the USA 99.99% of them do the same three things: go to NYC and go "ohmygodohmygod, look at those buildings" or the Grand Canyon and go "ohmygodohmygod, isn't it big, you could fit the whole of London/Paris/canton of Zurich in there" or they drive from San Francisco to NYC and all you ever hear is "ohmygodohmygod it is so boring driving across Nebraska". But we all complain about the coffee.

The other 0.01% tend to have a nerdy interest in something American like those people who know every single Indian tribe or every single Civil War battle. But there is a growing number who get obsessive about prairie. Personally I love it. This is the most fantastic habitat. It sums up what I love about being in the Midwest. It and the wooded surrounding landscapes are familiar enough to make you feel at home, but foreign and exotic enough to be give you a real thrill of excitement and novelty.
Great prairies.............but stick to the smoothies
Silphium terebinthinaceum leaves

Great prairies.............but stick to the smoothies
A dry habitat form of Phystostegia virginiana


Prairies are like Euro-wildflower-meadows but more diverse, with richer flora and an incredible level of difference between them. They are very beautiful but over a surprisingly long time, with flushes of different wildflowers from May to September. There are wet prairies, big and lush, right across to dry prairies, often on sand or gravel moraines - where the vegetation is short and sparse. Exploring any of them is an extraordinarily rich aesthetic/ecological experience, as it seems like every single bit is actually different to every other single bit, with different species or combinations of species.

Great prairies.............but stick to the smoothies

Spotting mighty bright yellow silphiums with their sandpaper-textured leaves or deep purple/violet Dalea purpurea is like meeting old friends, and they always look so much better in nature than in the confines of a border. Bit like having a proper cup of coffee instead of the stuff that comes out of the tub the size of an oil barrel which says 'makes 240 cups'.

I only had a  day and a bit to look around this time but you can pack a lot in. Roy Diblik of Northwind Perennials in southern Wisconsin took me round to look at some of the local wildflower sites. Hot and humid, so a bit like walking around in mosquito soup, but who cares. At Kettle Moraine you can see how the Wisconsin Dept. of Natural Resources is trying to buy up parcels of land to create a 30mile long prairie corridor. Its places like these that make give you a feeling about what this country looked like before fields of soybeans, highways, malls and as-far-as-the-eye-can-see suburbia took over. And on the way to the airport we scrambled through a fence to look at a fantastic site at Shoe Factory Road.


Its just a shame about  the coffee. But then if it got better I might be tempted to emigrate.


Check out Shoe Factory Road Prairie, at:
http://chicagowildernessmag.org/issues/spring2004/weekendexplorer.html
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Friday, July 30, 2010

My Big Toe

You'd think by now I would have learned my lesson about walking around outside in flip-flops. But on the spur of the moment we ended up dropping by a friend's house, and of course I had to walk around outside and enjoy her yard.

Later that night, I awoke with my toe swelled up and throbbing. It's possible I was bitten by a spider, but I'll never know for sure.

What's strange is that after this experience, I don't carry a grudge against spiders, but my fear of snakes has intensified. I guess it's just the concept of unseen, dangerous critters out there. It also doesn't help that I've seen copperheads in our yard, and I've met one person who was bitten by one while gardening here in Upstate South Carolina. As a result, I have procrastinated on a few garden tasks: cleaning up the kudzu in our wooded backyard and weeding some areas.

When does kudzu start loosing leaves? Could I wait on my "kudzu cleanup" until they go into hibernation in October?

What precautions do you use in your gardening? Do heavy gloves protect you?
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Surprise Visit

Surprise Visit
I was pretty shocked to see this gigantic bird hanging out poolside in our back yard. I think it's a blue heron! He was probably disappointed and confused about the lack of fish in our pool, but he hung out for quite a few minutes looking around.
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Saturday, July 24, 2010

Oxo Sink Strainer - Gift From The Kitchen Gods

We've landed here in Woodstock. The house we're in is lovely -- spacious and open. And the kitchen is big and beautiful. I will post some photos soon. In the meantime, I wanted to share my favorite new gift from the kitchen gods with you all. 

Although I love the sink in our new kitchen, I did not love the drain covers that came with it. They're your typical drain cover type deals but their little push-pull mechanisms never work for some reason so they make it nearly impossible to let the water drain out without removing them. But, of course, removing them lets too much food go down the drain (this is composting country, after all, not in-sink garbage disposal country.)

But then I happened upon these awesome Oxo drain strainerOxo Sink Strainer - Gift From The Kitchen Gods on one of my many recent trips to Bed, Bath & Beyond or somesuch place.
Oxo Sink Strainer - Gift From The Kitchen Gods

They're made of silicone, which is very flexible and allows you to just flip the thing inside out over the compost bucket or garbage can for super easy cleaning.

Oxo Sink Strainer - Gift From The Kitchen Gods
And they look nice, stay put, and won't scratch your sink, too. At $6 a popOxo Sink Strainer - Gift From The Kitchen Gods, what's not to like?

Browse through more Gifts From The Kitchen Gods:
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